Monthly Archives: December 2007

sketch

notes on piece(s) and bases

“This pair of sculptures is being recorded on an almost daily basis.”
“This piece is being documented throughout the duration of this exhibition.”
“This piece is being documented daily throughout the length of this exhibition.”
“X and Y will be documented daily for the length of this exhibition.”

* * * * *

the law, as per Vince Pitelka (http://www.potters.org/subject92492.htm)

As a general rule, if a sculpture base attracts any attention at all, then
it becomes part of the sculpture, drawing attention away from your work. If
you are proud of the work you have done and want the viewer or customer to
focus on the work, make the base as neutral and featureless as possible. In
my opinion, bases made of marble or other stone with visible surface grain
are inappropriate for one-of-a-kind sculpture. They are appropriate for
mass produced reproductions and trophies. Avoid wood bases with visible
grain for the same reason. A fine piece of stone or wood is a beautiful
thing, and should not be used in such a way that it detracts from the
sculpture.

Summer 06

* * * * *

Schlemmer — movement

showing movement in sculpture:
-grid
-diagram
-animation
-film/video
-in performance
-written directions
-photograph
-battered object
-markings on floor

finds


George Sugarman

_ I S O _ (pelt), 2007, Materials: Graphite on vellum, Brown corduroy and faux fur coat, Brass grommets and eyelets, Two common nails, Approximately: 3ft. x 2 ft. x 1 ft. 2007

Joshua Hart


David Smith

alphabetically 2

spin

in my head lately


Robin Peck
http://www.canadanewyork.com/artist/robin_peck/

After Rachel Harrison (adaptation)
http://www.newmuseum.org/exhibitions/4


Martin Puryear
http://moma.org/exhibitions/2007/martinpuryear/flash.html


Phil Grauer
http://www.canadanewyork.com/artist/phil_grauer/

*****
The Website

Katharina Grosse
http://www.katharinagrosse.com/

rail variations